Auguste Rodin YOUNG MOTHER WITH CHILD Sculpture

This is a sculpture entitled YOUNG MOTHER WITH CHILD (1885) by Auguste Rodin.

This is a highly collectible, quality, bonded bronze sculpture.

Guaranteed fully authentic and authorized piece!  Absolute Mint Condition, comes new in box!

Measures 6 in. x 3 in. x 4.5 in.

Comes with a full color card with an image of the original artwork and a description card about Rodin and his artwork. Both cards are in four languages.

This sculpture is amazing! When the public visits a museum, they repeatedly visit the same artworks to look at them from a different perspective. This fantastic sculpture offers art lovers the ability to “view” their favorite artwork in their own home, from an entirely different perspective, and in a different dimension: 3D! Have you ever wondered what the artwork looked like from behind the painting? Or from the side? To remind you of your museum experience, each figurine comes with a color card of the original painting, information about the painter and a description of the specific figurine reproduced.

The theme of mother love does not occur often in Auguste Rodin’s work, except for a period around 1885. Apparently, this theme then played a big part in his life. This touching sculpture of a nude mother seated on a rock being gently nuzzled by her young child is a beautiful and eternal statement about motherhood. She calmly reflects on the spiritual connection between herself and her son or daughter.

The Young Mother composition can also be distinguished in relief on the side panel of the Gates of Hell, a bronze portal meant for the Musee des Arts Decoratifs which was never finished. A bronze copy was offered by the artist to be auctioned as a contribution towards the costs of the monument in honor of Claude Lorrain, a 17th century-painter whom Rodin greatly admired. AUGUSTE RODIN (1840-1917) In between Romanticism and Impressionism this self-willed Frenchman created some of the most famous pieces known in the art of sculpting. He was very talented at conveying feeling in his compositions by emphasizing gesture. Also, his rough surface texture with deep hollows added strong shadows and naturalism to the human form. Rodin’s goal, as he put it, was “to render inner feelings through muscular movement.” He achieved this aim by joining his profound knowledge of anatomy and movement with special attention to the body’s surfaces, saying, “The sculptor must learn to reproduce the surface, which means all that vibrates on the surface, soul, love, passion, life…Sculpture is thus the art of hollows and mounds, not of smoothness, or even polished planes.”

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