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This is a beautifully detailed sculpture entitled “Son of Man Wearing Bowler Hat” by Rene Magritte.

This is a highly collectible, quality, resin sculpture with hand-painted color details, matte and glossy finish.

Guaranteed fully authentic and authorized Magritte piece!  Comes new in box.

Dimensions of sculpture: 3.5″H x 4″W x 3″D.

These come with a full color card with an image of the original Magritte artwork and a description card about Magritte and artwork. Both cards are in four languages.

This sculpture is amazing! When the public visits a museum, they repeatedly visit the same artworks to look at them from a different perspective. Each fantastic sculpture offers art lovers the ability to “view” their favorite artwork in their own home, from an entirely different perspective, and in a different dimension: 3D! Have you ever wondered what the artwork looked like from behind the painting? Or from the side? To remind you of your museum experience, this figurine comes with a color card of the original painting, information about the painter and a description of the specific figurine reproduced. 

Rene Magritte (1898-1967)was born in Lessines near Tournai in French speaking Belgium in 1898. He spent his childhood in Chatelet and Charleroi. He attended the Academie des Beaux-Arts in Brussels from 1916 to 1918. There he met the brothers Victor and Pierre Bourgeois and the painter Pierre-Louis Flouquet. In 1919 Magritte contributed to the first issue of the review Au Volant published by the Bourgeois brothers. After a year of military service he worked as a designer, first of all for a wallpaper manufacturer in Brussels and then as a freelance designer of posters, publicity materials and exhibition stands. He painted his first acclaimed Surrealist painting, The Last Jockey, in 1926 and in the same year, along with the other Belgian surrealists, signed the declamatory leaflets Two Disgraces and the Married Couple of the Eiffel Tower. Between 1927 and 1930 Magritte lived in Le Perreux-sur-Marne near Paris, during which time he became acquainted with Hans Arp, Andre Breton, Salvador Dali, Paul Eluard and Joan Miro. Magritte’s provocative essay Words and Pictures was published in the last issue of La Revolution Surrealiste in 1929, a year after he painted The Empty Mask.

THIS IS THE BEST PRICE YOU WILL FIND ANYWHERE FOR THE SAME PIECE!

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